After witnessing Mame Khan’s brilliancy last year at the Mumbai Exhibition Centre’s ‘Paddy Fields’ concert, he continues to perform in a style that remains unique, pursuing a tradition introduced by his family over fifteen generations. Commencing his musical career in a small village named Satto, near Jaisalmer, Mame Khan’s energy and his vocal prowess owes much to his father and tutor, late Shri Rana Khan, as it transcends his repertoire consisting of folk and Sufi songs.
On ‘Sanu Ik Pal’, Mame Khan takes traditional lyrics from Punjabi and Rajasthani folk, and combines them with both his composing and singing talents. Superbly arranged by Amol Dangi, the instrumentation blends with the musical content to perfection, thanks to the musicians featured: Vikram Singh Chongtham [guitar]; Amol Dangi [keyboards, harmonium]; Robin Vassy [drums, percussion]; Nishad Ali Kawa [tabla]; and Sadam Langa [sarangi]. Also utilised is an instrument known as morsing – in Rajasthan, it is called a morchang – a wind percussion instrument that is effectively utilised on this track by Sharu Khan.
Not surprisingly, the lilting melody of ‘Sanu Ik Pal’ is both accessible and captivating and, as a listener, you really need not be a seeker of any musical genre to recognize the power of the sound for when his voice soars to the heavens as it were, and then returns down to earth, you are swept into another world…Mame Khan’s!
– Review by PARAG KAMANI.
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